Industry

Funworld September 2008

The Real World

Satisfy consumers’ demands for authenticity and you’ll capture their hearts, minds, and dollars

by Juliana Gilling

HERE’S A LITTLE GAME: The next time you’re shopping at the supermarket flipping through a magazine or treating yourself to the latest restaurant in town, start playing “I Spy” for the words “real” and “authentic.” Pretty soon you’ll start asking yourself, “When did we need to be convinced?”

Marketers have caught on to people’s growing desire for the “real thing.” How many times have you heard somebody say, “I got through to a real person!” or “I saw the real (insert country here).” Once upon a time, we didn’t need to use the word “real”; now we feel the need to emphasize it. “Real” has value and, increasingly, people are making personal and purchasing decisions based on what they perceive as “real” connections to themselves. So what’s prompting this way of thinking and what will it mean for the businesses of tomorrow?

Bestselling authors Joe Pine and Jim Gilmore are starting the debate with their latest book, “Authenticity: What Consumers Really Want,” which was featured in TIME magazine’s recent “10 Ideas That Are Changing the World” cover story. It builds on the ideas raised in their influential 1999 book, “The Experience Economy: Work Is Theatre & Every Business a Stage.”

As co-founders of Strategic Horizons LLP, Pine and Gilmore run a “thinking studio” that helps businesses conceive and design new ways of adding value to their economic offerings. When they’re not writing books, they’re sharpening their ideas through speaking and consultancy work fortune 500 companies, entrepreneurial startups, professional associations, and educational programs alike. This fall (Sept 24-25) they’ll be taking their 11th annual ThinkAbout gathering to Las Vegas for two days of creative learning centered on “The Experience Economy” and “Authenticity.”

In “The Experience Economy,” Pine and Gilmore predicted that as goods and services became more commoditized, the companies that focused on staging experiences to engage customers would be best placed to achieve future business success. Fast-forward to the present day and we’re faced with a plethora of experiential offerings. In a world chock-full of contrived and staged experiences, people are now opting for what they perceive as the “real thing,” according to Pine and Gilmore, and savvy attractions companies must appeal to this “new consumer sensibility.”

“The number-one business imperative today is to render authenticity—to manage the consumer perception of authenticity—so that your customers perceive your offering as real,” says Pine. “Consumers want the authentic, and it’s not something you can ignore any more than you can ignore quality, or costs, or availability.”

The Authenticity Test
Businesses can get to grips with the new authenticity standard by applying Pine and Gilmore’s Polonius test, inspired by three lines in Shakespeare’s “Hamlet”:

“ This above all—to thine own self be true.
And it must follow, as the night the day,
Thou canst not then be false to any man.”

In other words, says Pine, be true to your own self and be who you say you are to others. “Will your company’s past offerings and heritage limit what you can do in the future and still be perceived as true to self?” he asks. “Look to your employees because they’re often the people who will know first that, ‘Hey, this isn’t right; this isn’t a behavior, an action, or a decision that fits in with who we are.’ It can have a corrosive effect on an organization when people are asked to do things that pull them away from who they are.”

On the second point, he adds: “Examine everything you say about yourself and check that it matches what you’re offering. As one of our friends likes to say, if you could check into the ads for any airline, hotel, or hospital, you’d have a good experience. Check into the actual place and the disconnect between their advertising and what you encounter means that you’ll perceive
them as phony.

“Don’t fall prey to the very human desire to want to stretch the truth,” he says. “You want to under-promise and over-deliver.”

One of the biggest challenges for parks and attractions, when it comes to rendering authenticity, is that it’s such a slippery concept. “Authenticity is, basically, conformance to self-image,” says Pine. “It’s when you, as a company or a brand, reach inside a person and strike a chord that creates a sympathetic vibration. So that person thinks, ‘Ah, that’s me, that’s like me, that’s what I want to be.’ But because we often have different self-images and different histories of interactions with companies, two people can view the same experience very differently.”

For businesses grappling with authenticity, Gilmore reckons a good place to start is by asking: “Where are you most fake?” and “What can you do with that element of your offering to gain a greater sense of authenticity?” Companies shouldn’t fall into the trap of simply slapping on words such as “genuine” and “real” and expecting the public to buy into it, according to Pine and Gilmore. Instead, parks and attractions should focus on providing places that allow their customers to identify with, enjoy, and experience offerings that truly reflect who the companies say they are. “Don’t just say you’re authentic: be authentic,” says Pine.

If you should happen to be fake through and through, then acknowledge it to your guests and have fun with it—your customers might even see you as all the more real for it. “If we’re totally honest about how fake we are, we’re being truer to what we say we are to others,” says Pine.

Where entertainment companies really have the upper hand, though, is through their potential to change their customers’ lives for the better. “What would you do differently if you knew that parents were bringing their children to your attraction to enhance their relationships, as opposed to just giving them a good time?” asks Pine. Gilmore adds: “If I go to your venue with my kids, how is my relationship better because of that time versus if I go to your competitor’s?”

High Five!

Here are Joe Pine and Jim Gilmore’s five genres of authenticity.Which can you use to better appeal to your consumers?
Natural authenticity: “We tend to perceive as authentic that which exists in its natural state; that remains untouched by human hands; that’s not artificial or synthetic,” Pine says. Organic foods and “green” products appeal to consumers’ desire for natural authenticity.

Original authenticity: “People tend to see as authentic anything that possesses originality in design,” says Pine. “With everything that Apple designs, you know instantly who’s made it. You’re so wowed by the originality of it that you’ll perceive it as authentic.You can also see original authenticity in any company that originates a category. Disneyland is viewed as the grandfather of all theme parks; it has this patina of authenticity to do with age and originality.”

Exceptional authenticity: Where people perceive as authentic that which is done exceptionally well and executed on an individual level. “High-end hotel chains like the Ritz-Carlton do everything so well,” says Pine. “They customize for you and treat you as an individual.” Gilmore highlights Disney’s FASTPASS system: “How can you make the thousands of individual guests in your park feel like they’re being treated personally? If you could FASTPASS everything, that would be the way to go.”

Referential authenticity: “Referential authenticity refers to some other context, drawing inspiration from human history and tapping into our shared memories.That’s the nature of theming,” says Pine.“Las Vegas recreates for people the experience of being in other places—even if they’re made up—but you have to make sure there’s nothing hokey in there.”
Influential authenticity: “We tend to perceive as authentic anything that exerts influence on other entities, that calls us to improve the world or ourselves,” says Pine. He points to enterprises that use powerful three-word offerings like “fair-trade coffee” and “conflict-free diamonds.” “Imagine being the first ‘carbon-neutral attraction,’ for example,” he says. “What would that mean and how would you go about it?”

Juliana Gilling is a specialist attractions journalist. E-mail: julianagilling@gmail.com.